Posts from — March 2009

Stark and I had an adventure in the kitchen last night. She made fresh ravioli and I made stuffed artichokes. My family used to have Sunday dinners of ravioli, sausage, meatballs, fresh Italian bread, and stuffed artichokes, and it was enough to food to kill a horse. I remember these dinners very fondly, but I always doubted my ability to recreate the culinary delights of my Italian grandma.

Last night I finally took the plunge after a thirty minute phone consultation with my mother, and I have to admit, they were really good! Just like I remembered my grandma making them! So, in effort of spreading the yum, I will share the recipe (now with photo illustrations!):

Since the last time I wrote a review for a book, I’ve had several reading disasters.

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Today I started planning out the background for the main credits sequence, which will be an animated view of the beach, boardwalk storefronts, and the Wonder Wheel. I decided to track the equipment I’ve been using as well as the process of making this movie. This will either succeed in recording my path to success or, well, help me learn what methods fail spectacularly.

Here is the electronic equipment that has been used so far in the making of this movie:

Pictured: Canon GL2 Digital Video Recorder, Zoom H2 Digital Sound Recorder, MacBook Pro, DV Tapes, Canon Powershot Camera
Not Pictured: Maxtor 1TB External Hard Drive, Canon Rebel XT

Here are the art supplies that we purchased for use in the animations:

Pictured: Coney Island: Lost and Found (reference images), sketch book, portfolio, some sheets of heavy poster board, a set of gouache paints, several synthetic brushes, a palette, a glue stick, an Exacto knife, thumbtacks, a cutting board, a protractor and compass set (from Dollarama! this is a low budget film after all), and a pencil case filled with pens, erasers, white-out, pencils, a bone folder, and a hole punch/awl.

Today, I did some color tests with the gouache paint. I wanted to make sure it could produce bright, circus-like, opaque colors with a minimum of effort. I haven’t worked with gouache before, so I was worried it would be too washed out. Luckily, it was perfect!

I also decided to plan out the background for the main credits sequence by making a scale drawing in my sketch book. I wanted to make sure there was enough room for the letters and puppets to move across the beach and be legible. It was important that the puppets also be of a size that is reasonably easy to cut-out and manipulate for the animations.

After struggling through incredibly simple math, I finally managed to hit upon proportions that I think will work rather well for the project: